Blue Backpack, now operating as an independent studio, has announced its latest creation: Oh Apollo! This “cozy narrative management game” invites players to step into the shoes of a priestess overseeing a temple, its devoted followers, and the delivery of prophecies. The studio, previously known for titles like Constance and The Berlin Apartment, has Spanish developer Marina Díez at the helm of this new project.
The core concept for Oh Apollo! emerged in July 2024 during a team retreat in Berlin, where Blue Backpack’s twenty-one employees collaborated on brainstorming ideas for future projects. This collective effort, reminiscent of initiatives by studios like Double Fine, aimed to generate new directions beyond the studio’s then-current double development of Constance and The Berlin Apartment, which were released merely a week apart in November. Oh Apollo! was one of the promising ideas that stemmed from this session. After refining the proto-game, the team successfully secured development funding by the end of the year from the Berlin Medienboard, an organization dedicated to supporting cinematic and audiovisual projects. Development officially began in March 2025.
A year later, Oh Apollo! is starting to capture the attention of the gaming world. The game made its public debut at the recent PAX East event in Boston, where its director, Marina Díez, expressed the team’s immense satisfaction with the outcome. While Blue Backpack has 21 employees, a dedicated core team of ten is driving Oh Apollo!’s development. Marina Díez serves as the director, with Robert May and Florian Köhne as executive producers (and co-founders of Blue Backpack). Emilia Urdl is the producer, Finley Baguio is the lead programmer, Benjamin Denkert is the art director, Semiramis Mamata is the visual designer, Julie Buchanan is the audio director, and Cyrus Nemati is the lead narrative designer, co-writing the game with Ella McConnel.
The collaborative work of Cyrus Nemati and Ella McConnel has enabled Díez to “finally play with reactive narrative, where the world and characters respond maximally to player decisions,” as she highlights. It is no coincidence that Oh Apollo! is described as a narrative management game, as its story is “the heart of the game.” However, narrative is not the sole foundation; the management aspect tasks players with restoring the temple—their duty as a priestess of Apollo’s oracle in Delphi—to its former glory.
“All these mechanics support the story and the development of the friendship between Pythia and the god Apollo, which is the game’s background and what I truly want to narrate,” emphasizes the director of Oh Apollo!. She aims to illustrate how these two characters, hailing from vastly different worlds, must confront shared problems, fostering mutual empathy. This narrative framework often proves highly effective when the underlying content is compelling, establishing a strong starting point.
Having previously contributed to the narrative of other games, Marina Díez felt a strong creative impulse when proposing Oh Apollo!, driven by a desire to share something unique with the world. For her next game, Díez wanted to “tell the story of a priestess chosen out of nowhere, an ordinary person who had not chosen this role at all.” This scenario offers rich contrasts between the two main characters, promising a deeply satisfying experience from Blue Backpack.
Oh Apollo! currently does not have a public release window, and its director has not provided any veiled hints regarding its launch. However, a Steam page is available for those wishing to stay updated on Blue Backpack’s game until it is released, and it also features a playable demo. For those speculating on the German studio’s typical development timelines, both Constance and The Berlin Apartment reportedly required “four years of development.”
Some might experience a flicker of recognition upon hearing “Blue Backpack” in conjunction with Constance and The Berlin Apartment, a sort of earthly “spider-sense” that doesn’t require superpowers—let’s call it intuition. In November, when the two games published by the German studio were discussed, they were referred to as btf, their previous public designation. This is because the Cologne-based studio “was founded as a department of the German production company bilduntonfabrik” and developed games under that name for “over four years.” The studio now operates independently, and with this transition, they have chosen the name Blue Backpack, “a tribute to Jakob Weiss, who championed the creation of the video game department at btf and sadly passed away in 2025.”
